And when I say tiny, I mean 'micro-miniature almost need a microscope to see' tiny
(well, not that small lest I can't see what I'm sculpting)
Sculpting on a micro-mini scaleSculpting on this tiny scale is quite similar to sculpting regular sized fairies (hand sized and larger) with a few minor differences.
One major limit of course is the tiny size. Putting details into a sculpted face smaller than my thumbnail is not as easy as working with a face larger than a quarter. the limits come from a combination of tool size (my hands are my favorite tool, too large for this) and the fact that the small ball of clay simply cannot hold that much detail.
And of course there's all the squinting involved, perhaps I need one of those jeweler microscope head-pieces.
That being said, I still gave this little gal my all, and while she is less detailed than my larger babies, I am still quite impressed with the results.
The ProcessAs with larger sculptures, the sculpture began with a drawing and armature. Her tiny size actually doesn't require an internal 'skeleton' but rather gave me something to hold onto and build from (lest I squish her tiny face)
I sculpted her tiny face, emphasizing major details like cheeks, nose, eyes... I used the tiniest of prebaked eyeballs, then built up her large baby forehead.
Her tiny body got nearly invisible torso markings, a small protruding belly button, and anatomical details which my camera can't even pick up.
Her legs were sculpted in the usual manner, but rather than adding individual toes I simply marked the toe-region with a blade to hint at little fingers. A pinch here and squeeze there (and a hundred more) and we have tiny knees, calves, and thighs.
Her arms were formed the same way, with the hands sculpted as one open mitten (to hold the rose) and one closed fist
Two clay tear-drops on the side of the head carefully sculpted with the smallest of needles formed her fairy ears
Props and DetailsFirst came the rose bud, sculpted in red and crimson clay, built up petal by petal.
Her hair is baked in red Mohair, added strand my strand, embedded into her scalp
Heat-set oil paint brought the fairy to life. I used a brown/red wash for her skin, then painted the individual details like eyes, eyebrows and lips
The tiny fairy wings were created with craft wire, fusible (Angelina) film, and glittery embellishments
I used the completed wings to make the wing holes ensuring a perfect fit, and set them aside while the little fairy baked and cooled in my convection oven. Once cooled the wings were inserted (perfect fit, woohoo) and she is now ready to face the world. Her wings are not glued into place allowing them to be moved around and 'posed'
And just in case you forgot how small she is, take a look at the photo with the ruler and coins. I tried to photograph her on my fingertips but she kept crying out for hugs.