It's GIVEAWAY TIME
I am running a special SOCK MONKEY PENDANT giveaway TODAY ONLY!!
One lucky winner will receive a lovely handmade sock monkey pendant
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Click on the Giveaway Image above
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Good Luck
And may the odds be ever in your favor -Hunger Games
It's been a while since I've sculpted a fairy baby. Looking back at some of my original sculptures I can proudly say that my skill has progressed, but there is always room for improvement.
Even between the 2 fairies pictured above, sculpted about a year apart from each other, there are significant differences. It's the minor details really, that come from practice, practice, practice.
And so I set out to practice. I hope to sculpt a number of fairy babies, and post my progress here, in the hopes that you, the reader, will be generous with your comments and critiques, so that I can hone and improve my skill.
July Fairy Baby
I set about this sculpture without a real vision or plan. My only goal for this baby is to improve my fairy baby sculpting skills. Particularly the facial details and feature placement
(notice the above fairy baby has a very small forehead)
My only 'planning' step was finding a baby reference model from Magic Sculpture I may follow the model loosely, but it does give a basic idea for baby feature placement
Sculpting the Face - Part 1
I created a very basic wire armature covered in foil
I sculpted the face using a new method of adding on small bits of clay to build up the features. Perhaps I mixed a bit too much liquid sculpey into my clay giving me somewhat of a sticky soft mixture. The effects were two-fold. On the one hand, the soft clay is very easy to disfigure, and a slight touch leaves a huge fingerprint indentation.
On the other hand, I love how easy the soft clay manipulates. I can build up and move around features with a few simple tool strokes.
I spent alot of time, perhaps too much, building and placing the features
I got so carried away, I forgot to look at the time, and nearly forgot to prepare for my students arrival (My alter-ego Leah4sci does in-home Private Education)
I normally rest half-finished sculptures on my sculpting glass, however I was afraid the soft clay would flatten my half-finished head. Instead I stood it up with forceps and covered with saran wrap.
To Be Continued...
Mini Food Processor - AKA My New Toy
I love sculpting in polymer clay, however the process of mixing clay can be VERY tedious.
This is especially true when mixing clay for a sculpture for a number of reasons.
Using a pasta machine (my old method) for mixing clay takes FOREVER with a somewhat extensive preparation process. Light and fresh clay has a tendency to pick up lint, dust, dirt, anything and everything that happens to be around at the time.
Thus the longer the mixing process, the long the clay is exposed, and the more 'dirty' the clay turns out. The final sculpture looks less 'professional' if it is studded with lint.
And my newer issue with the pasta machine, is the difficulty in adding liquid polymer clay. I've discovered that conditioning some liquid clay into the mix makes it softer and more malleable, however, this was disasterous in my pasta machine meaning I had to do it by hand.
This is especially difficult with my injured hand/thumb (from military deployment)
The old Mixing Process
Preparing the Clay to be mixed (I chose random scraps for this demo)
Each 'blob' of clay has to be slightly conditioned and shaped to fit into the pasta machine
Each blob of clay is run through the pasta machine a few times for a somewhat uniform sheet
The colors to be mixed are stacked, and run through the pasta machine again, and again
and again
Until a uniform color blend is achieved
This process isn't too bad for a smaller sculpture or color combination, but this can take the better part of an hour for something as large as a 3 Inch Bunny
Old vs New
Enter the Food Processor
I've read about artists using food processors for mixing clay, and finally decided to treat myself (Under $20 on amazon)
I purchased the Proctor Silex 1-1/2-Cup Food Chopperideal for a small to medium magical sculpture
Does it measure up?
I decided to do my first mixing trial with camera at hand
Preparing a mix of clay to be blended: Sculpey Living Doll and Premo Translucent. I will then add some TLS (Translucent Liquid Sculpey)
I roughly shredded the clay and dropped them into the food processor
Power ON, and WOW!!
I then added a generous few drops of TLS
Total Preparation + Mixing Time: TWO MINUTES,
Level of pain to my injured hand: ZERO
Foreseeable Benefits:
The first and most obvious is TIME. I have essentially cut an hour out of the sculpting process.
On a personal level, this takes the stress of mixing off my hands, ideal for people with hand injuries
I can 'store' the unused clay in the processor. I typically mix up more clay than required. I'd rather mix too much of a clay color, than to run out mid-sculpture and have to try copying the color combination and consistency
The clay keeps CLEAN!! the processor is so tiny, I don't see the need to remove the clay, I will simply store the entire unit on my craft-cart and take out bits of clay as needed. And if a few days pass in between uses I will simply power it up for a few seconds and recondition (re-soften) the clay.
I am in love with my new toy!!
Edited 11 July 2012Thanks to the comments below regarding the danger of storing clay in the food processor I will only keep the clay in during sculpting and then store in another container so as not to destroy my new toy